In 1877, Louisa May Alcott went to Bostons Bellevue Hotel for a few weeks to write A Modern Mephistopheles, a gothic thriller that was a major shift from Little Women and her other youth sustains that Alcott called moral pap for the two-year- obsolescent (Strickland, 1). A Modern Mephistopheles is the story of nineteen year white- tomentumed Felix Canaris, a poet on the brink of starvation, until Jasper Helwyze helps him. Helwyze promised Felix fame and fortune in rejoin for complete control over his life. When Felix falls in do it with Olivia, Helwyzes companion, he is instead forced into a marriage with Gladys, a young girl who enjoys him, but he does non bop in return. Overtime, Gladys wins the heart or admiration of everyone in the story, and veritable(a) in last influences other characters choices. By the end of the book, it is exculpated that the hero is non Felix, who lies about writing his famous book of poetry, but Gladys, the angel (A lcott 1-258).
        In A Modern Mephistopheles, Alcott expands on the idea of the nice angel in the house (Strickland 1), describing not only Gladys interior angelic traits, but her angelic display: Through the dense hall thither came a excellent creature in a quaint white gown, who looked as if she might realize stepped down from the marble Hebes pedestal, for there was something wonderfully virginal and late about the maidenly figure with its deep, soft eyes, pale hair and features clearly cut as a fine cameo. emerging from the gloom into a flood of sunshine, which stirred her head with a glint of gold... (Alcott, 18-19).   !       Alcott also stressed her love for flowers and the fact that she seems at home among th flowers, saying that there was something peculiarly free and fresh about her then, as if... If you compliments to get a full essay, order it on our website:
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