The subject-matter [of Faulkners The Sound and the Fury] is the death of a family and the corresponding decay of a society. More narrowly, the apologue is about the various Compsons--p arnts and children, brothers and sisters--and how they are satisfactory or not fitted to shaft each other, and how the failure of chicane destroys them all. The central focus is the beautiful and doomed Candace Compson. We n invariably divulge her all-embracing-face or hear her speak in her own persona. She lives for us only in the tortured and passing subjective recall of her triple brothers: Benjy, the congenital idiot; Quentin, the honorable abstractionist and self-annihilation; Jason, the sociopath who lives only for money (who to me stand for pure shabbiness. Hes the some vicious character in my opinion I ever thought of.) These recollections form the first three sections of the novel. They are followed by Section Four, describing the events of Easter Sunday, 1928. This part belo ngs mainly to Dilsey, merely is told from an outside, third-person menstruum of view, magnificently distanced and controlled. . . . If the dominant theme of the novel is erotic love--love between members of the family, and how they are able or not able to give that love freely--then the accidents of time and place [of the setting] fade in importance. The vile that the Compson children project is conventional enough.

Much of it is not evil at all, but simply the heartbreak of loss of sinlessness and the inevitable degeneration that comes with growing up. There are evil characters in the book--Jason, certainly . just there are others who are solely weak! , irresponsible, and self-serving, like the whining hypochondriac Caroline Compson and her brother Maury. Most of these people, whatsoever their pretentions, are examples of love defective or love perverted. provided three persons in the... If you compulsion to get a full essay, order it on our website:
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